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Monday, October 12, 2026
Bold Digest

Game Review: Sleaford Mods' Jason Williamson Assumes Character in Sceptical Look at Ecstasy Generation Era

Helmed by Portishead co-founder Geoff Barrow, this scabrous though undernourished debut feature casts a critical gaze on the ecstasy-fueled club scene. Self-serving drug user David (Marc Bessant) first robs an passed-out supplier, then in another flashback tries to break into his own parents. In no time, he's upside down in the remains of his car in a forest – and subject to the wrathful eye of the Poacher (vocalist Jason Williamson). Declining to free David, with no time for townies, he is broken Britain embodied: “You’re one of those noisy cunts from up on the heath.”

Unsteady Opening and Darkly Funny Confrontation

Game gets off to a shaky start, lingering excessively on meticulously detailing David’s attempt to extricate himself from his seatbelt, while awkwardly transitioning into past scenes of his normal activities. The bigger point – that the ecstasy generation were primarily out for themselves – is firmly made. But these brief episodes are insufficiently developed to adequately prepare us for what to expect when the Poacher arrives, fuming after David strangles his dog. Nevertheless, a grimly amusing standoff unfolds – David desperate to escape; the Poacher withholding his jerrycan of scrumpy, intent on soaking him instead in embittered discourse. Williamson, exuding heavy threat in the role, is evocative of Michael Smiley.

Stylish Imagery and Promo-Inspired Sensibility

There is only one key story turn, but it results in a hilariously staged chaotic run on the forest trails that dips close to folk horror. Filmmaker John Minton at last unleashes with his ostentatious visuals: where he was hunkered down doing artful shots of insects in the light in the early stages, he now lets rip with the full lysergic 21-gun salute, accompanied by a frenzied keyboard rendition of Ravel’s Boléro. The movie resembles an elongated music video than a complete narrative, but there’s enough strident imagery to suggest that Minton could emulate Jonathan Glazer, Garth Jennings et al into making the leap from the Brit music promo scene.

Game is in UK and Irish theaters from November 17.

Written by

Margaret Patton

A tech journalist and business strategist with over a decade of experience covering digital transformation and startup ecosystems.

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